"We wore white when the bands wore black on stage. We didn’t imbibe when others lived to do so. We meditated or recited mantras backstage before a performance. We burned incense and candles
onstage. We didn’t do these things to be elitist or different. We did them because it was quite natural for us; and this is how we lived. I think people were interested in the energy and theatrics of
the show and also in the members of the band. Maybe they saw us as a refreshing drink in a desert. And, culturally and socially, it was a desert back then. People were curious and wanted some for
themselves. The pamphlets that we handed out before shows offered some insight into how to obtain the same for themselves. Many tagged along." --Damon Wallis, Ruin
I play rhythm guitar for the psychedelic punk band Ruin, based in Philadelphia. Ruin was first active from 1980-1986. We played several reunion shows in 1996 and
again in 2013 and 2016. We're not quite finished yet.
This December (2016) the super badass, extreme/experimental metal L.A. label Southern Lord Records is re-issuing our albums Fiat
Lux and He-Ho. Here's an interview with founder--and guitarist for Sunn O)))!--Greg Anderson. More on that below. First, some images:
Visit the Ruin... website for a
ton of links to audio, video, reviews, images, and much more!
Ruin Facebook page
Southern Lord are extremely pleased to be reviving the music
of Philadelphia's lost punk heroes, Ruin. Long considered a treasured local delicacy of the city's earlier hardcore scene, Ruin released two albums during their original run,
1984's He-Ho and 1986's Fiat Lux, both of which will be combined in for a vinyl release this December.
Set against the backdrop of a city destroying itself in slow
motion, Ruin were of a Philly generation that had to create its own culture to push back against the despair and dead ends that they were confronted with. Their relative isolation is mirrored in the
distance between Ruin's muscular, turbo-garage jams and the rest of US punk/HC at the time - the band got it across not through violent speed and mania, but with body-shaking chunks of simpler punk
that refused to fit in with the wider template. Labelled from their early days as a Buddhist hardcore band (though not strictly the truth), Ruin are an object of intrigue that have rewarded the
curious since 1982, but getting your hands on either out of print He-Ho or Fiat Lux has never been an easy task. A recorded output that totals 28 tracks (including a couple of
significant Leonard Cohen covers that were praised by the artist himself) will at last be available on a wider scale, including original scans of the detailed lyric sheets and inserts, as well as in
depth retrospective notes that help to place Ruin in Philly and punk history.
Performing on candlelit stages all clad head to toe in white, Ruin
aren't a band to listen to if you want to hear another near identical iteration of a New York, LA or Midwest sound - they simply couldn't be playing for any other reason than to satisfy themselves
and realise their ideas. They rocked hard and loud but in their own method, and the heat and sweat of their playing emanates from the rich recordings.
Southern Lord Records Ruin page
Band Camp digital downloads
Ruin on Spotify